| This is the second part of the story of Amadeo Peter | | | | The event created an uproar and many other |
| Giannini, an Italian emigrant who arrived in America still | | | | directors and producers asked to be financed, but |
| in his mother's womb. Amadeo was born in 1870 in | | | | Gianinno wasn't interested only in commercial ventures |
| San José California, and starting without | | | | with economical goals. |
| anything, in just 40 years he was able to create the | | | | In 1922, the Bank of Italy had 61 branches. Considering |
| world's biggest bank. | | | | the incredible expansion, the consultants of the bank |
| At that time a socially liberal vision like this was | | | | wanted to offer him $50.000 a year above his salary. |
| common in the USA, where Ford, increased salaries of | | | | Amadeo who had already saved a fortune, of nearly |
| his employees, transforming them into potential buyers | | | | $500,000, who was faithful to his principles, refused the |
| of his cars. And also in Italy, some illuminated industrials | | | | offer, noting that whoever wanted to have more than |
| built houses for their own employees and subsidized | | | | half a million dollars should have run to a psychiatrist. |
| schooling for their children. | | | | Between 1927 and 1929 the Bank of Italy issued with |
| The more that the deposits grew, the more Giannini | | | | NATIONAL CURRENCY bills which were legal |
| offered loans and subsidies. And the incredible | | | | currency in the United States. |
| increase in deposits demonstrated that he was right | | | | In the first month of 1928, in the era of financial |
| which reached $700,000 in one year. | | | | euphoria, Giannini made revenues with his participation |
| But for the other bankers in San Francisco liberal | | | | in the bank of Italy a million and a half dollars, but since |
| ethically innovative strategy seemed not only | | | | he didn't want to become to rich, he decided to give |
| revolutionary but also dangerous and so they declared | | | | the total amount to the University of California for |
| war on him. There were rumors that The Bank of Italy | | | | researching agricultural technology. |
| had difficulties and a lot of their clients went as low as | | | | Seven years after the experience "Il monello", Giannini |
| to take their savings out of the bank. Amadeo who | | | | became good friends with Walt Disney whom he |
| had also anticipated more difficult moments and had | | | | believed to be a genius and he spent time with him |
| accumulated huge gold reserves, so he immediately | | | | discussing not only non verbal communication but the |
| put big tables outside the bank where he put the gold | | | | power of the images in communication. |
| reserves and stacks of banknotes and the clients | | | | After a decent success with the short film of Mickey |
| were then ashamed, in front of all the richness, to ask | | | | Mouse, Giannini's sensed that there were great |
| for their savings back. | | | | possibilities for cartoons and he financed the first |
| In April 1906 the deposits surmounted a million dollars. | | | | feature length Disneyfilm in color called "Snow White |
| And that was when the tragedy occurred. On the 18th | | | | and The Seven Dwarves" Once again the film was |
| of April 1906 an earthquake of biblical proportions | | | | much more successful than they had expected. Walt |
| destroyed San Francisco. There were aftershocks | | | | Disney became famous all over the world. Giannini |
| that transformed the city into a mass of smouldering | | | | was tired of making money and became the financial |
| ruins. The ones who survived the earthquake walked | | | | director of his friend's company that was by now |
| around the streets like ghosts, crying, praying and | | | | famous. |
| looting. | | | | In 1930 the Bank of Italy was named "Bank of |
| Giannini, along with his partners, used his step father's | | | | America National Trust and Saving Association". |
| fruit carts to transport Bank of Italy's money and gold | | | | It's important to note that, when the Bank of Italy |
| to a safe place which he hid in his semi destroyed | | | | closed it's books and examined the suspended |
| fireplace in his house. | | | | transactions, they realized that 96% of loans without |
| The other banks in the city not only lost a large part of | | | | guarantees were reimbursed by 96% of the total that |
| their capital, due to fires, but also there account books, | | | | was payed out, and so overall, considering the interest, |
| so they weren't able to reopen for at least a month . | | | | the bank didn't suffer any losses on loans given to the |
| Amadeo Giannini, who knew every single client as well | | | | people that weren't well off. |
| as their financial situation, opened his bank only after | | | | On the contrary, the big bankers that accepted only |
| six days, creating a makeshift office in his brother's | | | | people with money, while in times of crisis had |
| half-destroyed house, who was a doctor. He hung out | | | | considerable losses. And they didn't forgive Giannini's |
| the burned sign which he had found. He also put a sign | | | | foresightedness. |
| in plain view which he had painted during the night, | | | | In 1931 Giannini had to deal with the most difficult event |
| which read: "Loans like before, more than what was | | | | of his life. He got polio, and he was cured not only for |
| given before". | | | | the intense cures that he had undergone, but above all |
| The new bank of Italy was literally mobbed with | | | | thanks to battle to not become excluded from Bank of |
| crowds of families affected by the disaster in need of | | | | America. |
| everything, who withdrew their savings, or asked for | | | | As soon as the rumors went around about his illness, a |
| loans. Giannini was happy to give money to whoever | | | | lot of enemies - lead by the Transamerican Elisha |
| asked, without asking questions, only making a note of | | | | Walzer, by J.P Morgan and by members of the |
| their names and the amount. | | | | Federal Reserve, who were associated as being |
| But that wasn't enough. | | | | nasty vultures from Wall Street |
| After two days of the rush of the needy he left the | | | | Giannini's reaction was absolutely energetic. Even |
| makeshift office for his partners to manage and | | | | considering his health conditions he actively took part in |
| together with his stepfather he went to the other | | | | the battle to regain control of the bank, and faced with |
| areas of the city, with a small cash box with money. . | | | | this problem, his health miraculously improved |
| Amadeo went to the devastated areas of San | | | | unexpectedly. He regained his strength in a time that |
| Francisco, the tent camps, offering loans without | | | | couldn't be explained by doctors, and with the support |
| interests and filled his pockets with papers signed by | | | | of many people who benefited, he regained control of |
| immigrants from all over the world, sometimes marked | | | | the institution that he had created. |
| with a cross. | | | | Amadeo Peter Giannini wasn't particularly interested in |
| We can ask ourselves: how could Giannini loan all this | | | | the cinema. He liked only a few authors that through |
| money to everyone? How could he continue to go | | | | film told stories that improved people's lives. He said |
| on? After only a few weeks the old clients came | | | | that the fairy tales or parabolas- today we can call |
| back who had withdrawn their savings from the bank. | | | | them fictions - were instruments good for transmitting |
| And as soon as the other banks opened , a lot of | | | | values and traditions to new generations, and after |
| people withdrew their savings to bring it to the Giannini, | | | | Disney he helped another fairy tale creator Frank |
| the gentleman. Besides that, a lot of immigrants who | | | | Capra. |
| had never been in a bank before, picked up all their | | | | Frank was a Sicilian who arrived with his family in |
| savings in gold from the houses in ruins and decided to | | | | California as a boy. He became an engineer and then |
| deposit them in the Bank of Italy. | | | | lost his job because of the crisis in '29 and after some |
| Giannini became the emblem of reconstruction of San | | | | variations of his fortune, he casually made his way to |
| Francisco, not as much for the money but for the | | | | Hollywood where he discovered the world of cinema. |
| sense of security that he had transmitted, and for his | | | | He became Giannini's friend there, who he became |
| optimism and his faith in the people who had lost | | | | devoted to Giannini, because he saw his own father in |
| everything. Amadeo gave people the desire and | | | | Giannini. |
| courage to try again, above all in the immigrant | | | | Since there was a reciprocal admiration, in 1934 |
| communities who irreversibly became Bank of Italy | | | | Amadeo financed his first successful film called "Once |
| customers | | | | upon a night...", and the collaboration continued in 1936 |
| In the poor area of North Beach, the Italian community | | | | with "Happiness is coming" and in 1938 with "The |
| became an important player in the reconstruction and | | | | eternal illusion". |
| North Beach became the centre of new business | | | | Frank and Amadeo loved to speak in Italian and often |
| ventures and entrepreneurs in San Francisco. This | | | | developed the scenes of the films together. Giannini |
| experience convinced Amadeo Peter to be a banker | | | | loved Capra's narration that exposed the dramatic |
| for the rest of his life. | | | | situation in America- a reality based on competition, |
| And he had incredible success. Giannini's fame | | | | that justified the non interest of others and promoted |
| became a legend, his acts of good will were told al | | | | climbing the social ladder - who originated a society |
| over the Pacific coast. With his faith in his courage and | | | | that was conditioned by subtle power of mass media, |
| his moral integrity a stream of new clients from all | | | | where the economical lobby controlled politics, but with |
| over. Everyone wanted to deposit their money in the | | | | everything, it seemed like an offer of blackmail, even if |
| Bank of Italy. | | | | this liberation came about often through a miracle like |
| The reconstruction of San Francisco, which was the | | | | what happens in fairy tales. It's a demonstration that it's |
| main pacific port at the time, attracted a lot of small | | | | possible to escape from the nightmare, and that there |
| and big investors, and a lot of money was deposited in | | | | is still space for dreams. |
| Giannini's bank. | | | | As mentioned earlier, Amadeo didn't play up to the |
| In 1909 a law went into effect in the USA that allowed | | | | cinema world, but as an important banker he knew |
| a system of "branch banking", or in other words the | | | | that in this world, he knew that he would have made a |
| opening of branches in other cities. | | | | lot of money for the bank. Once again he called his |
| Only a few bankers knew how to use the new law. | | | | brother Attilio from New York, and asked him to |
| Giannini went to the Atlantic coast and then to | | | | manage the cinema sector. |
| Canada, where the new system of banks was | | | | Between 1932, and 1952, Bank of America financed |
| already in use. | | | | over 500 films, and invested over half a billion dollars. |
| As we have learned, until now the American banks | | | | However Amadeo Giannini wasn't only fascinated by |
| worked only for the rich people, excluding immigrants | | | | dreams of cinema. |
| and small farmers. But Giannini, who knew the situation | | | | In 1932, the "dreamer" Joseph Strass, designer of the |
| of the small farmers of the Santa Clara Valley, he | | | | Golden Gate , wasn't able to find a financer for his |
| sensed that three could be a possibility of reciprocal | | | | project, had the inspiration to go to Giannini. And the |
| interest for a bank that Is available to give incentives to | | | | winning card to convince Amadeo wasn't the possible |
| small land owners. | | | | profit, but the conviction that the bridge could have |
| He was able to convince the other members of the | | | | helped the citizens of San Francisco to get out of the |
| Bank of Italy to work towards this goal but he also | | | | depressing economic situation that hung over the city. |
| wanted strong ties between the bank and people | | | | Giannini financed his project with six million dollars and |
| from the area. Assuming that among all of the people | | | | asserted that Bank of America had no interest in the |
| of the new banks that there would be a great number | | | | project. |
| of artisans, tradesmen and local farmers. | | | | In the first half of the thirties Giannini got ready to fight |
| The employees Also had to be local citizens and they | | | | the "Mc. Federal Act" a law that prohibited you from |
| had to speak many languages. | | | | operating in more than one state. |
| In 1909 the Bank of Italy opened his first branch in San | | | | In 1934 the Bank of America had 423 branches in 255 |
| José, his city of birth. In 1910 he bought two | | | | California cities. |
| banks at San Francisco, in 1912 he bought another in at | | | | On the 14th of January his son Lawrence Mario |
| San Mateo. By the end of 1912 the deposits were | | | | Giannini who Amadeo educated with his example, took |
| much higer than $11.000.000 dollars and in 1913 Giannini | | | | the place of his father as the president of Bank of |
| opened another big branch in Los Angeles. | | | | America, and Amadeo to stay close by accepted the |
| From 1916 until 1918 he opened many branches in the | | | | position of being honorary president. |
| agricultural valleys of California, therefore extending | | | | Giannini made unselfishness to be his primary |
| credit to small farmers and the new emigrants. | | | | profession. Besides giving credit to poverty stricken |
| A lot of bankers, including the most influential ones of | | | | people, and to have given hope to who has lost it, |
| the USA, where seriously worried because of the new | | | | Amadeo offered a large part of his earnings to social |
| tendency that Giannini had started and started a | | | | deeds, but without sounding the trumpets on |
| campaign to degrade him with the aim of isolating him. | | | | philanthropy and patronage |
| Giannini understood the risk and decided to take | | | | In 1930 he created the GIANNINI FOUNDATION of |
| control of the situation and he nominated himself | | | | agricultural economics, which he left to the University |
| president and put a lot of initiative into effect that that | | | | of California. The foundation had one goal: to favour |
| made him and the bank more solid. | | | | the research aimed at developing rural resources and |
| In 1919 the Bank of Italy bought a bank in New York, | | | | to increase the economical activities of California's |
| and he named it Bancitaly Cooperation. | | | | farmers. In 1945 he also created the GIANNINI FAMILY |
| This institution was bought nine months after he bought | | | | FOUNDATION, with the goal to promote the medical |
| "Banca dell'Italia Meridionale" , that later on was named | | | | research. |
| "Bank of America and Italy". | | | | During the 2nd World War California became the most |
| In July of 1919 the Bank of Italy subscribed to the | | | | important state for war production. The Bank of |
| Federal Riserve Sistem and the 1st of March 1927 it | | | | America financed the production of airplanes, ships, |
| became nationalized. | | | | and heavy and lightweight weapons, It managed the |
| In 1920 Giannini sensed the possibility of the developing | | | | payment of the soldiers and civil employees. |
| the film industry, that up until that time was active | | | | Amadeso Giannino gave his son Mario the |
| mainly in New York. He sent his brother Attilio Giannini | | | | responsibility to deal with Italians that were confined in |
| who left the medical profession, to dedicate himself not | | | | prison camps, and to exert himself to try to avoid the |
| only in the Bancitaly cooperation but also in the | | | | imprisonment of other Italian Americans |
| emerging world of cinema. | | | | Right after the war, Giannini, who always felt |
| But rather than focusing on the financial aspects, | | | | profoundly Italian, to the point that, even at an old age |
| Amadeo paid attention to socio cultural importances | | | | spoke often with the a dialect from Liguria that he |
| that the film industry's were proposing regarding the | | | | learned from his mother, wanted the bank to help in |
| American conscience and behavior. Since the New | | | | efforts of reconstruction in Italy in first person. |
| York bankers that financed the films asked loan shark | | | | He agreed with Arthur Schlesinger, the man |
| interest rates at around 20%, he decided to offer | | | | responsible for the Marshall plan, to speed up the |
| more reasonable rates-around 6%- for deserving | | | | shipment of aid, that his bank would send the amount |
| authors that were not only for having fun, but also to | | | | necessary without any interest, for all the shipments |
| propose quality social models | | | | headed for Italy. |
| So, when Attilio came back from New York to tell his | | | | In October 1945, when Amadeo was seventy five |
| brother that he had met young talented comic artist, | | | | years old, he left the Bank of America for good. He |
| who was already successful in comedies, but that | | | | left all the drawers in his desk open, which he never |
| couldn't find a financer for his project, Amadeo | | | | closed anyway saying "I have nothing to hide", just like |
| decided to give $50.000 to First National Distributors to | | | | "the bank has nothing to hide." |
| make Charlie Chaplin'sfilm "Il monello". | | | | At the same time he announced that the Bank of |
| The costs of the film could have cost much less, but | | | | America had become the biggest bank in the world!. |
| Amadeo who wanted to get to know him personally, | | | | At the age of eighty Amadeo Peter Giannini breathed |
| didn't want him them to have to worry about the | | | | calmly, and was comforted by the affection of his |
| finances. | | | | loved ones. When he died an accurate inventory was |
| Within six weeks he made his money back on the film | | | | carried out of all of his assets, that came to exactly |
| and following that his bank made enormous profits. | | | | 489,278 dollars. |