| The Introduction & History | | | | The Details |
| The Mission School derives its name from Mission | | | | Mission School is the self-proclaimed creativity of the |
| District, better known as 'The Mission,' near San | | | | common person on the streets. This is opposed to the |
| Francisco, US. As the name suggests, it is a regional | | | | art that comes from the house of learned, highbrow |
| art movement. Beginning in the 1990s, the alumni of the | | | | artists of the yesteryears. Creating their low-tech |
| San Francisco Art Institute founded it. The school | | | | works, the Mission School artists employ |
| remains active even today. The freelance writer Glen | | | | unconventional tools, like aerosol paints, correction |
| Helfand first suggested the term 'Mission School' in the | | | | whitener (used in stationery), usual house paint, pencils, |
| alternative weekly San Francisco Bay Guardian. In due | | | | pens, trash material, found objects, and scrap board. |
| course, the popularity and the reach of this | | | | The results are vibrant thought-provoking imagery, |
| provocative art form kept growing. This made the | | | | reflecting upon the mood of the artists, and calling its |
| Mission District a hub of the intoxicating twentieth | | | | viewers for action. |
| century street art. | | | | The Artists and the Artworks |
| The Correlations | | | | The best collections of street art in Mission District can |
| The biggest selling point of the Mission School is that it | | | | be found on the 24th Street and Clarion Alley. The |
| identifies with the modern popular culture. It is | | | | Clarion Alley Mural Project sponsored hundreds of |
| characteristically an eclectic mix of street art in various | | | | such murals with arrangements for guided tours for |
| forms, driven by the varying passions of the artists | | | | the visitors. Some of the lead names of international |
| from different backgrounds. The vibrant executions of | | | | fame associated with the Mission School are Barry |
| the school carry the elements of the Surrealist | | | | McGee (b. 1966), Jo Jackson, R. Crumb (b. 1943), Ruby |
| Movement of the 1920s, Mexican Mural Movement of | | | | Neri (b. 1970), Swoon, Margaret Kilgallen (1967-2001), |
| the 1930s, Pop Art (Britain and US) of the 1950s, Punk | | | | Clare Rojas, Shepard Fairey (b. 1970), Alicia McCarthy, |
| Graffiti Art of the 1970s, Cartoons, Sign Painting, Hobo | | | | Spain Rodriguez (b. 1940), Chris Johanson (b. 1968), |
| Art, and Graffiti style of guerilla marketers, among | | | | Rigo (b. 1966), and Margaret Kilgallen (1967-2001). |
| others. | | | | McGee's adopted moniker 'Twist' has become his |
| Primarily revolving around symbolized sentiments, | | | | major signature tag work with a massive following |
| Mission Art focuses on the social, political, cultural, and | | | | among the art lovers. Despite the prevalent depressive |
| the commercial aspects of everyday life. Often, it | | | | mood, his creations find strong favors in the Mission |
| represents the existing state and allied transitions in the | | | | School. Among the other significant examples of |
| contemporary society. On the other hand, it embodies | | | | Mission Art are 'Graffiti Horse' by Ruby Neri and mural |
| activism and seeks change. For instance, global | | | | painting at LACMA parking garage by Margaret |
| environmental concerns are styled as Eco-warrior | | | | Kilgallen. |
| artworks. | | | | |